Poets of a Stronger Age

"--Has any one at the end of the nineteenth century any distinct notion of what poets of a stronger age understood by the word inspiration? If not, I will describe it. If one had the smallest vestige of superstition in one, it would hardly be possible to set aside completely the idea that one is the mere incarnation, mouthpiece or medium of an almighty power. The idea of revelation in the sense that something becomes suddenly visible and audible with indescribable certainty and accuracy, which profoundly convulses and upsets one--describes simply the matter of fact. One hears-- one does not seek; one takes--one does not ask who gives: a thought suddenly flashes up like lightning, it comes with necessity, unhesitatingly--I have never had any choice in the matter. There is an ecstasy such that the immense strain of it is sometimes relaxed by a flood of tears, along with which one's steps either rush or involuntarily lag, alternately. There is the feeling that one is completely out of hand, with the very distinct consciousness of an endless number of fine thrills and quiverings to the very toes;--there is a depth of happiness in which the painfullest and gloomiest do not operate as antitheses, but as conditioned, as demanded in the sense of necessary shades of colour in such an overflow of light. There is an instinct for rhythmic relations which embraces wide areas of forms (length, the need of a wide-embracing rhythm, is almost the measure of the force of an inspiration, a sort of counterpart to its pressure and tension). Everything happens quite involuntarily, as if in a tempestuous outburst of freedom, of absoluteness, of power and divinity. The involuntariness of the figures and similes is the most remarkable thing; one loses all perception of what constitutes the figure and what constitutes the simile; everything seems to present itself as the readiest, the correctest and the simplest means of expression. It actually seems, to use one of Zarathustra's own phrases, as if all things came unto one, and would fain be similes: 'Here do all things come caressingly to thy talk and flatter thee, for they want to ride upon thy back. On every simile dost thou here ride to every truth. Here fly open unto thee all being's words and word-cabinets; here all being wanteth to become words, here all becoming wanteth to learn of thee how to talk.' This is MY experience of inspiration. I do not doubt but that one would have to go back thousands of years in order to find some one who could say to me: It is mine also!--"

What Does Europe Owe the Jews?

#250 "What does Europe owe the Jews? All sorts of things, good and bad, and above all one that is at the same time among the best and the worst: the grand style in morality, the terror and majesty of infinite demands, infinite meanings, the whole romanticism and grandeur of being worthy of raising moral questions and as a result precisely the most attractive, most awkward, and most exquisite parts of those plays of colours and enticements to life, whose afterglow these days makes the sky of our European culture glow in its evening light perhaps as it burns itself out. Among the spectators and philosophers, we artists are grateful to the Jews for that."

Platonism for the People

"Christianity is Platonism for the people."

The Light of the Furthest Stars

#285 "The greatest events and thoughts--the greatest thoughts, however, are the greatest events--are longest in being comprehended: the generations which are contemporary with them do not experience such events--they live past them. Something happens there as in the realm of stars. The light of the furthest stars is longest in reaching man; and before it has arrived man denies--that there are stars there. "How many centuries does a mind require to be understood?"--that is also a standard, one also makes a gradation of rank and an etiquette therewith, such as is necessary for mind and for star."

What You Have to Know

#277 (paraphrased) You have to actually build a house in order to learn everything you have to know before you start.

The Abyss

#146 "He who fights with monsters should take care that he himself does not become a monster. When you stare into the abyss, the abyss also stares into you."

The Harmful and Dangerous Truth

#39 "Something might be true while being harmful and dangerous in the highest degree. Indeed, it might be a basic characteristic of existence that those who would know it completely would perish, in which case the strength of a spirit should be measured according to how much of the "truth" one could still barely endure or to put it more clearly, to what degree one would require it to be thinned down, shrouded, sweetened, blunted, falsified. But there is no doubt at all that the evil and unhappy are more favored when it comes to the discovery of certain parts of truth, and that the probability of their success here is greater - not to speak of the evil who are happy, a species the moralists bury in silence."

The Long Secret Work

#32 "During the longest part of human history - so-called prehistorical times - the value or disvalue of an action was derived from its consequences. The action itself was considered as little as its origin. It was rather the way a distinction or disgrace still reaches back today from a child to its parents, in China: it was the retroactive force of success or failure that led men to think well or ill of an action. Let us call this period the pre-moral period of mankind: the imperative "know thyself!" was as yet unknown. In the last ten thousand years, however, one has reached the point, step by step, in a few large regions on the earth, where it is no longer the consequences but the origin of an action that one allows to decide its value. On the whole this is a great event which involves a considerable refinement of vision and standards; it is the unconscious aftereffect of the rule of aristocratic values and the faith in "descent" - the sign of a period that one may call moral in the narrower sense. It involves the first attempt at self-knowledge. Instead of the consequences, the origin: indeed a reversal of perspective! Surely, a reversal achieved only after long struggles and vacillations. To be sure, a calamitous new superstition, an odd narrowness of interpretation, thus become dominant: the origin of an action was interpreted in the most definite sense as origin in an intention; one came to agree that the value of an action lay in the value of the intention. The intention as the whole origin and prehistory of an action - almost to the present day this prejudice dominated moral praise, blame, judgment, and philosophy on earth. But today - shouldn't we have reached the necessity of once more resolving on a reversal and fundamental shift in values, owing to another self-examination of man, another growth in profundity? Don't we stand at the threshold of a period which should be designated negatively, to begin with, as extra-moral? After all, today at least we immoralists have the suspicion that the decisive value of an action lies precisely in what is unintentional in it, while everything about it that is intentional, everything about it that can be seen, known, "conscious," still belongs to its surface and skin - which, like every skin, betrays something but conceals even more. In short, we believe that the intention is merely a sign and symptom that still requires interpretation - moreover, a sign that means too much and therefore, taken by itself alone, almost nothing. We believe that morality in the traditional sense, the morality of intentions, was a prejudice, precipitate and perhaps provisional - something on the order of astrology and alchemy - but in any case something that must be overcome. The overcoming of morality, in a certain sense even the self-overcoming of morality - let this be the name for that long secret work which has been saved up for the finest and most honest, also the most malicious, consciences of today, as living touchstones of the soul."

Foul Smell

#30. "There are books that have opposite values for soul and health, depending on whether the lower soul, the lower vitality, or the higher and more vigorous ones turn to them: in the former case, these books are dangerous and lead to crumbling and disintegration; in the latter, heralds' cries that call the bravest to their courage. Books for all the world are always foul-smelling books: the smell of small people clings to them. Where the people eat and drink, even where they venerate, it usually stinks. One should not go to church if one wants to breathe pure air."

Such Beings As We Are

#3. "Behind all logic and its seeming sovereignty of movement, too, there stand valuations or, more clearly, physiological demands for the preservation of a certain type of life. For example, that the definite should be worth more than the indefinite, and mere appearance worth less than 'truth' -- such estimates might be, in spite of their regulative importance for us, nevertheless mere foreground estimates, a certain kind of niaiserie which may be necessary for the preservation of just such beings as we are. Supposing, that is, that not just man is the 'measure of things.'"

Gratitude and Cleanliness

#74 "A man with genius is unbearable if he does not also have at least two other things: gratitude and cleanliness."

Formula for Greatness

"My formula for greatness in a human being is amor fati: that one wants nothing to be different, not forward, not backward, not in all eternity. Not merely bear what is necessary, still less conceal it—all idealism is mendaciousness in the face of what is necessary—but love it.

What is Necessary in Things

"I want to learn more and more to see as beautiful what is necessary in things; then I shall be one of those who make things beautiful. Amor fati: let that be my love henceforth! I do not want to wage war against what is ugly. I do not want to accuse; I do not even want to accuse those who accuse. Looking away shall be my only negation. And all in all and on the whole: some day I wish to be only a Yes-sayer."

Ah, Women

"Ah, women. They make the highs higher and the lows more frequent."